臺中市公共藝術Taichung Public Art-作品欣賞

童心‧同心

作品說明：
為了找回失去已久的童心，我們手牽著手繞成一個圓圈，在充滿夢想的世界裡自由自在的盪鞦韆，一起向內盪是同心，一同向外盪是為了探索外面更美好的世界。作品設置基地為日治時期的豐原神社，所以本作品在物件排列上採取均質的四個角落的設置，然後在中央置放另一組物件，來達到其向心性，並且以此方式來保有像神社空間的儀式性。以盪鞦韆的構成元素來表現主題，並且以自我與人群之互動來做連結，用太極的陰與陽、男與女以及動與靜之交叉搭配，來呈現整體的作品氛圍。

Introduction：
To find long－lost innocence, we hold hands in a circle to swing free in a world of fantasy. Inward swinging represents everyone sticking together, and outward swinging stands for exploring the outside world. The installation site was the location of Feng－Yuan shrine during the Japanese occupation. Therefore, we arranged the materials symmetrically within the block. Another set of objects is placed in the center to achieve concentricity and to preserve the ritualistic atmosphere of the shrine. We were inspired by the elements of a swing set as a presentation topic, using the interaction between one person and a crowd as a connection to arrange the pieces according to yin and yang, male and female, and moving or still to present the overall atmosphere.