Chinese characters have their own distinctive special structure and pictorial thinking, with ancient rural life providing important character and pictorial logic. This framework represents the starting point for our work, based on the square structure of characters, the categorization of radicals and the connection to pictorial images. It also involves rearranging or creating characters focused on thematic content, using the expansion of the radical or pictorial reference in the same way libraries are collections of writing and knowledge. In terms of form we use paper cut for window decorations, cross sections and different character styles, adjusting the interplay of these elements to find the most suitable combination. The special nature of windows is to be found in the way their inside-outside extension represents the soul of space. Natural light ensures the openwork area changes with time and although the cross-section makes the structure of the characters appear broken it also creates new meaning. In concert with the rhythm of light and shade the transformation of space extends the shape and form of the original characters. This is not only a post- reading realization, it is also the beautiful landscape provided by Waipu Municipal Library.